Corymbus is a not-for-profit blog with the aim of encouraging public engagement with classical music and the wider arts.
I first came across the word ‘Corymbus’ in a title of the first movement of the the piano concerto by Edmund Rubbra. The term has roots in Greek mythology and has a botanical meaning, for a cluster of berries or flowers. I chose it because it reflects not only my interest in composers like Rubbra, but in looking at the connections between music, nature, and the wider humanities.
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What the readers say:
‘A riveting read with some excellent examples. A model of how to write about music on the internet.’ The Symphonist.
‘Currently, some of the most thoughtful and well presented pieces on classical music come from this source.’ Mike Hamlin, writer.
‘This, by Corymbus, is great on rediscovering neglected music and neglected nature.’ – George Monbiot, Guardian columnist and author.
‘An absolutely fantastic article on Ruth Gipps’ – James Turnbull, oboist and founder of Ensemble Perpetuo.
‘Another excellent article – this time on medieval carols & lullabies – on Corymbus’ – Stuart MacRae, composer.
‘Great article about Malcolm Arnold’ – Charles Hazlewood, conductor and broadcaster.
‘Can’t overstate how much I enjoyed and took away from this fantastic piece.’ – Brett Mitchell, Music Director of the Colorado Symphony.
‘A fascinating post by Corymbus on illness & creativity in music’ – Terri Windling, writer and editor.
‘This is a wonderful piece on the great English Hymnal’ – Jonathan Mills, writer.
‘Fantastic blog from Corymbus, with lots that music educators should think about and discuss with their students’ – Alison Butler, music teacher and PhD student.
‘Brilliant, thoughtful new blog … great stuff’ – Bernard Hughes, composer.
‘What a simply brilliant, and immensely illuminating, article. Thank you.’ – Tom Gauterin, conductor and music director of Bristol Classical Players.
‘Discovered the excellent Corymbus website and enjoyed this particular article very much’ – Colin Hoad.
‘This is absolutely fascinating on Lord Alfred Douglas after Oscar Wilde from Corymbus’ – Eleanor Fitzsimons, author of Wilde’s Women.
‘Well done on creating Corymbus… great to keep classical music alive & to enable people to learn more about it’. – Ninchini, composer.
‘Really interesting on the ondes Martenot and Messiaen from Peter Asimov for Corymbus’ – J.P. Robinson.